Work

Olav Christopher Jenssen

  • Biography
    Painting: Watercolor
    102 x 152 cm, 1998
    © Olav Christopher Jenssen / BONO 2013

    Jenssen also works with different art forms. Painting is at the heart of his production, but also drawing, graphics and sculpture are important elements. Jenssen is interested in language, and the titles he uses provide a poetic touch to his works, like the title of his monumental mosaic at Telenor headquarters outside Oslo: The Path Leading to Nietzsche’s House.

    We see in his paintings both romantic motifs, as in Oleaster, and more complex and abstract works where the title and even letters and words painted into the motif pose surprising challenges and new perspectives on viewing the painting.

  • Fraction/Biography
    Painting: Oil on canvas, 1998
    © Olav Christopher Jenssen / BONO 2013
  • Jasnaya Poliana
    Painting: Oil on canvas
    150 x 150 cm, 1991-1996
    © Olav Christopher Jenssen / BONO 2013
  • Late Palindrome #46
    Painting: Acrylic on canvas
    185 x 195 cm, 2001-2002
    © Olav Christopher Jenssen / BONO 2013
    The titles are central and meaningful elements of Jenssen’s art. They give the viewer an enhanced understanding of the subject whilst also providing a poetic resonance.
  • Oleaster
    Painting: Oil on canvas
    220 x 200 cm, 1996
    © Olav Christopher Jenssen / BONO 2013
  • Once Eighteenth Time
    Painting: Oil on canvas
    220 x 200 cm, 1996
    © Olav Christopher Jenssen / BONO 2013
  • Palindrome No. 22
    Painting: Oil and acryl on canvas
    212 x 243 cm, 2000
    © Olav Christopher Jenssen / BONO 2013
  • The Path leading to Nietzsche's House
    Painting: Mosaic and text on board
    866 x6 1018 x 0,50 cm, 2002-2003
    © Olav Christopher Jenssen / BONO 2013

    Jenssen’s monumental wall mosaic, “The Path leading to Nietzsche's House” is one of the main works of art at Telenor Fornebu. In the installation, which covers 88 m2, the artist has used glass mosaic of 50 different colours in 150 different colour combinations. The subject is a large labyrinth that provides a visual cue inviting the viewer to reflect upon Nietzsche’s philosophy.